|
|||||||
Número 276 - Zaragoza - Diciembre 2023|
|
|
FORO
|
|
||||||||||
 |
Suscríbete ya a la newsletter de Música Clásica |
| Festival junger Künstler Bayreuth |
| ||||||
|
Solicitudes hasta el 15 de julio. De 18 a 25 anyos, salvo para el taller literario. http://www.youngartistsbayreuth.com Workshops 2004 Courses for instrumentalists 6 to 31 August 2004 The Symphony Orchestra of the 54th Young Artists Festival Bayreuth is to be conducted by Peter Gülke. Peter Gülke has worked internationally as a conductor since 1959. He regularly guest-conducts leading orchestras in the USA and the Netherlands, France, Italy, Germany, Austria, Switzerland, Hungary, Poland and Romania. He has toured Russia and Lithuania with the Duisburg Symphony Orchestra. He made his debut in Japan with the NHK Orchestra Tokyo. Peter Gülke has also conducted operas in Berlin, Hamburg, Vienna, Paris, Rome, Turin, and Graz among others. He has given the world premiere of many works and has made much forgotten music accessible again. As a musicologist Peter Gülke specialises in the music of the Middle Ages and the Renaissance, in Beethoven, Mozart and Schubert, and deals with questions and theories of musical interpretation and performance practice. Prof. Peter Gülke will conduct the Symphony Orchestra of the Young Artists Festival Bayreuth in the rehearsal and performance of the following works: Jean Sibelius Tapiola op.112 Peter Michael Hamel Fünf Tore (Five gates) Première Anton Bruckner Symphony No.7 in E major Conductor Peter Gülke, international active conductor, music scientist Symphony Orchestra In Bayreuth young musicians have the opportunity to attend performances at the Richard Wagner Festival and to develop a deeper understanding of Wagner?s music dramas by playing excerpts from them in the orchestra. A rehearsal or a concert with commentary by a conductor of the Richard Wagner Festival is planned. The Symphony Orchestra and the work of Richard Wagner In the chamber music workshop, works from a great variety of stylistic periods will be studied. The primary emphasis is placed on the sound, form, articulation and interpretation of the selected works. Technical questions relating to the instruments will also be dealt with. If necessary, it will also be possible to arrange individual tuition and to work on playing technique. Michael Wild (violin), Violin and string lecturer for the Lower Saxony Youth Symphony Orchestra Daniel Draganov (violin), leading voice with the Rhine Orchestra - Duisburg Symphonics Ulrich Schneider (viola), substitute Soloist with the Nuremberg Philharmonics Iagoba Fanlo (cello), Professor at the Real Conservatorio Superior de Música in Madrid (Spain Martin Schaal (double bass), double bass in the orchestra of the Comical Opera (?Komische Oper?), Berlin Chamber music for strings In addition to focusing on the classical repertoire, the program of the chamber orchestra for strings in 2004 also invites participants to discover music of the 20th century. The musicians will be introduced to challenges of modern harmony and rhythm as well as special playing techniques. The following works are among those to be studied: Wolfgang Amadeus Mozart, Divertimento in D major Antonín Dvoøák, Serenade for Strings in E major op. 22 Dmitri Shostakovich, String Quartet No. 8 op. 110 Director: Josef Schwab, Professor at the Music University "Hanns Eisler" Berlin Chamber Orchestra for strings In addition to orchestral rehearsals, this workshop will focus on solo performance for wind instrumentalists. While not neglecting correctness of pitch, rhythmic accuracy and technical brilliance, rehearsal work will encourage ensemble members? own initiative and will certainly incorporate their creative interpretative ideas they. The workshop aims to develop participants? sense of sound balance and stylistic homogeneity and to practise effective rehearsal techniques. Every ensemble will have the chance to present itself to the audience during a concert and to discuss the performance subsequently with the lecturer. Ernst-Burghard Hilse (Flute) Solo Flutist with the Berlin Symphony Orchestra Kalev Kuljus (Oboe) Solo oboe in the Northern Broadcasting Orchestra (NDR) Chamber music for wind instruments The chamber music course for brass players will study works for different instrument combinations from the Renaissance to the present day. Basic technical questions relating to playing will be dealt with. In addition, the brass section rehearsals for the orchestral concert will be undertaken during the course. The works studied will then be performed on concert tours throughout the region Will Sanders (horn) Professor at the Musikhochschule Karlsruhe, Professor at the Musikhochschule Maastricht Arno Lange (trumpet) former trumpet with the orchestra of Deutsche Oper Berlin, former member of the Berliner Blechbläserquintett Chamber music for brass instruments The percussion workshop offers participants further training in one of three areas. 1.) Preparation for a percussion concert of works by John Cage and Lou Harisson in collaboration with the participants of other instrument workshops. 2.) Individual training to improve playing technique. This includes the very special opportunity of joining a ?Rudiment? Workshop with Steve Fitch. 3.) Rehearsal of the percussion parts for the symphony concert, plus selected passages from the repertoire from Beethoven to Schoenberg. This usually leaves enough time to work on producing a popular programme for special events at the festival (e.g. social evening). Steve Fitch, percussionist and timpanist in the Phoenix Symphony Orchestra, composer, and member of the percussion trio ’kalamazoo’ Marcus Linke, freelance percussionist and timpanist, lecturer at Osnabrück Conservatory, and member of the percussion trio ’kalamazoo’ Percussion New music Experimental improvisation - intercultural composing - applied music 16 - 31 August 2004 Composing means not only acting in the sense of choosing between two alternatives; composing is also intended to have an effect, to give an impetus, to initiate thought processes. Above all, inner listening experiences and sound concepts should be communicable; these should be tried out in extempore playing or recorded in traditional or graphic notation. Under the direction of Peter Michael Hamel the workshop will create the space for experimental improvisation to stimulate the productive process of intercultural composing. Examples and works of intercultural composing will be presented. Work brought by participants will additionally be discussed. The interplay of composition and presentation will be promoted by a regularly occurring "jour fixe". The sphere of applied music - with examples from film music, especially composition for silent films ? will open up new perspectives for participants and encourage them in personal development. Finally, participants will attend rehearsals for the world premiere of Hamel?s orchestral score ?Fünf Tore?, where the focus will be on practical orchestration. Director Peter Michael Hamel composer of concert and chamber music and opera, well-known within the experimental avant-garde, "self-performing artist" and director of the international improvisational group Between; Peter Michael Hamel is regarded as a forerunner of the world music and minimal music movement in Europe; lecturing activity: 1993-96 Graz University of Music, since 1997 successor to Ligeti as Professor of composition and theory at the Hochschule für Musik und Theater Hamburg Assistant: Martin von Frantzius graduate in violin studies, composer of film music; since 2002 he has studied composition - with his main emphasis on multimedia composition - with Peter Michael Hamel at the Hochschule für Musik und Theater Hamburg Composition workshop 22 to 31 August 2004 Students from the composition workshop have the opportunity to take part passively in the composers? forum (director: Jörg Arnecke, freelance composer). This forum gives young composers the chance to compare notes and exchange experiences, as well as to present their music to significant colleagues. Composers’ forum Piano Workshop Masterclass 14 - 21 August 2004 The week-long piano masterclass is intended to provide impulses for further musical development and to enrich existing knowledge with innovative ideas. Fidelity to detail or an eye for overall form, stylistic rightness or spontaneous individual expression, philosophical idea or simply better finger positions and relaxed body posture ? every element can come to the fore and contribute to overall musicianship. The course is intended to encourage individualised piano-playing among young pianists in order to help them with their personal artistic development. Director: Paul Gulda independent pianist, until 2003 visiting professor at the Hochschule für Musik und Darstellende Kunst in Vienna Piano Workshop Literature 14 to 22 August 2004 Can one learn to write a book? Every conversation begins with a question. The right questions at the right time evolve into stories and narratives. Writing represents an emphatic form of intensifying the experience of life. Writing allows people to fix important moments, which can be preserved, deepened and passed on to others. These and other questions will be discussed and illustrated by Wolf Peter Schnetz in ?The Parsifal Game: the art of the question that leads to story-telling and hence to literature? - the intensive course of this year?s literature workshop, attended by practised and first-time participants. Publication possibilities via new production ways like ?books on demand? will also be discussed. Please note! Participants have to speak and write fluent German. The number of participants is limited to 12. Director Wolf Peter Schnetz author of some 40 publications Workshop for creative writing: The Parsifal Game Learning to listen and write 23 - 28 August 2004 in Bayreuth 11 - 14 November 2004 in Bonn The workshop teaches the basic principles of music journalism and gives participants the chance to apply what they learn in practice. The course is aimed at young professionals who already have some experience in music criticism and music journalism. It is divided into two working phases. In Bayreuth, the emphasis will be on print media; participants will practise professional music theatre criticism after attending a Wagner music drama at the Bayreuth Festival. In Bonn, participants will be introduced to radio work and CD production in the studios of Deutsche Welle. Robert Schumann can be seen as a co-founder and patron of music criticism thanks to his periodical Neue Zeitschrift für Musik. The workshop named after him, now taking place for the third time, provides training for young music journalists. Please note! Participants have to speak and write fluent German. Please contact the festival for more information. Directors Dr. Bernhard Hartmann, General-Anzeiger Bonn Dr. Gero Schließ, Deutsche Welle Gregor Willmes, Fono Forum Lecturers Dr. Thomas Voigt Alexander Dick The Robert Schumann Workshop for young music critics is a project of the Young Artists Festival Bayreuth and ?Konzerte der Bundesstadt Bonn?, Laurentius Bonitz, in association with: the Robert Schumann Festival Endenicher Herbst, Markus Schuck, Fono Forum, General-Anzeiger Bonn, Deutsche Welle, Musikproduktion Dabringhaus and Grimm, Konrad-Adenauer-Stiftung and Radio Lepper. Our thanks are due in particular to Hella and Carl Montag, Bonn. Robert Schumann workshop for young music critics Icelandic Myths ? Richard Wagner?s Nordic Inspiration New Perspectives on Ancient Themes and Mysteries, Eddas and Sagas: A Festival of Images, Words and Music 20 to 22 August 2004 A central theme of the 54th Young Artists Festival Bayreuth concerns Richard Wagner?s relationship with the corpus of Scandinavian saga. In a three-day programme, singers, actors, musicians, artists, writers, composers and academics from all over the world consider Nordic myth and trace the impact of Wagner in the contemporary art and culture scene. Different art forms will be brought together in one project: The Icelandic chamber opera Grettir by the Icelandic composer Thorkell Sigurbjörnsson will be rehearsed and given its world-premiere performance. Grettir Chamber opera in 3 acts Composer: Thorkell Sigurbjörnsson Librettist: Bödvar Gudmundsson Conductor: Dr. Guðmundur Emilsson Parts: Soprano Mezzo-soprano Tenor Baritone Set: Stefan Baldursson Lighting: Björn B. Gudmundsson Sound: Bjarni Bragi Kjartansson Decor: Kristín Hauksdottir Costumes: Thorunn S. Thorgrimsdottir Work experience Initial rehearsals have already taken place. However, young singers, director?s assistants, conductors and stage assistants have the opportunity to attend the final rehearsals from 16 - 19 August 2004. Please contact the festival for information about participation. Music theatre Highly reputed musicologists and contemporary composers from Scandinavia, North America and Germany gather in Bayreuth and engage in topical debate. Hosted by: Atli Heimir Sveinsson Symposium ?Richard Wagner and Nordic Myth? The Icelandic photographer Einar Falur Ingólfsson shows his images of the ?Island of Fire and Ice? which offer a commentary upon the heroes of the chamber opera. Accompanying this, high-quality replicas of the Edda, the Icelandic saga on the creation of the world, stored at the Icelandic State Manuscript Institute, give an insight into the Nordic world of myths and mysteries. Overall artistic director Dr. Guðmundur Emilsson, Reykjavik Project co-ordinator Daniela Knöbl, Bayreuth |